Susan Wrubel is a seasoned entertainment industry executive and film producer who has served in a number of capacities throughout an extensive and multi-faceted career in the global film industry, including: film acquisitions, sales, development, production, marketing, and distribution.


Before joining Aspen Film, Susan was working with New York-based CinePointe Advisors, a film/television advisory group, providing strategic guidance and support to producers, financiers and production companies on packaging, sales, distribution and financing. She was also closely affiliated with LA-based Hyperion Media Group, an entertainment entity that develops, finances and produces film, TV and gaming content. Additional past clients include Back Up Films, Paris; UK-based international foreign sales agency The Salt Co; Orange Entertainment, an LA-based rep for international distributors; Pimienta Productions, and online film finance website, Slated.


She served as the Head of Acquisitions and Co-Productions for Paramount Classics, overseeing domestic international territorial acquisitions, as well as evaluating projects at script stage for co-production both in the US and abroad. From 1996-2000, she ran the theatrical division of New Yorker Films, where she worked with world-class international filmmakers.


Additionally, Susan spent some time in the non-profit arena curating project selection and as industry liaison for New York-based Independent Feature Project’s (IFP) No Borders 45-project, international co-production market from 2010-2013, as well as producing the 2012 edition of the IFP’s Gotham Independent Film Awards. From 2007-2010, she oversaw the Miami International Film Festival’s panel and seminar series, and handled the industry side of their Encuentros co-production market. She also advised the Rio International Film Festival on US feature film selection, and participated in their industry initiatives.


Susan is a co-executive producer on THEY, which premiered at the 2017 Cannes Film Festival. In addition, she was an executive producer on MAGGIE’S PLAN, which was released by Sony Pictures Classics in May 2016; executive producer on LA TIMES, which had its world premiere at the 2017 Sundance Film Festival; Tribeca and Berlin award-winner JUNCTION 48, and the Netflix Original doc I’LL SLEEP WHEN I’M DEAD on DJ Steve Aoki, as well as co-executive producer on Hyperion’s THE HALLOW which premiered at the 2015 Sundance Film. She was also a production executive on the film STILL ALICE.


She can be reached at

Jason Anderson

Jason Anderson is a programmer, writer and lecturer based in Toronto. He’s the lead programmer for Short Cuts, the Toronto International Film Festival’s annual program of short-form cinema. He’s also the director of programming for the Kingston Canadian Film Festival, the country’s largest standalone festival of Canadian movies. He’s served on juries for festival such as Hot Docs, Vienna Independent Shorts, the Tel Aviv International Student Film Festival and Nordisk Panorama. Previously a longtime critic and columnist for Toronto’s Eye Weekly and The Grid, he currently writes about film and music for such publications as Uncut, Sight & Sound and Cinema Scope. He teaches film criticism at the University of Toronto and feature journalism at Ryerson University. His first novel Showbiz was published by Toronto’s ECW Press in 2004. Raised in Calgary, he lives in Toronto with his wife, daughter and too many records.


He can be reached at


Erin is an Aspen native fortunate to have grown up in the Roaring Fork Valley. She attended the Aspen Community School, where she learned to appreciate art, music, dance and theater. She has many fond memories of performing on stage at the Wheeler and was a young volunteer at the inaugural Aspen Shortsfest. After graduating from CRMS, Erin’s curiosity for the world led her to earn a BA in International Communications from The American University. She spent several years post college traveling the world and has lived on both coasts of the US. Her professional background includes direction of a nonprofit program, as well as significant experience managing operations, sales and events in the outdoor & photographic industries. While she found each of these roles fulfilling in their own right, they kept her tethered to more urban environments. She is a mountain girl at heart and is passionate about spending time outdoors.


She can be reached at


Emma Martin is a graduate of the Radio, Television, & Film program at The University of Texas at Austin. Prior to moving to the Roaring Fork Valley from Austin, Texas, Emma held internships at Fiege Films, an Austin-based production company specializing in environmental and social justice documentaries; KUTX 98.9, filming live studio shows for Austin’s NPR music station, and the Bullock Texas State History Museum. Her passion for film lies in documentary filmmaking, foreign and experimental film, as well as sound and picture editing. She is drawn to film for its ability to combine art and education to increase understanding between the world’s people and cultures.


She can be reached at


Sarah Bay is thrilled to be Aspen Film’s newest team member and is excited to enter the not-for-profit sector after many years in the Hotel Industry. Sarah will be working to manage the intricacies of the office as well as assisting throughout each festival.  She has a passion for film and looks forward to working with the team to manage Aspen Film’s several compelling festivals throughout the year.


She can be reached at